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Submersible Studios
  • About Us
    • Polices and Prices
    • Mastering – The Process
    • Request A Quote
    • Submersible Staff
  • Our Services
    • Mastering Services
    • Mixing, Tracking and Production
  • Clients and Testimonials
  • FAQs, Articles and Opinions
    • The Big FAQ
    • Studio Acoustics
    • Case Studies
    • Software, Plugins and Gear

Clients and Testimonials

Home Clients and Testimonials

Submersible Studios is the best. Not only do I use them for all of my mastering needs, I’m also constantly recommending them to people. Whether you need a super-loud dance floor banger or a subtly mastered acoustic rock record with super high fidelity and full dynamic range, Eric has the gear and the know-how to make it happen.”

Dan Clark (Listless Works Studios, The Dark Clan, Magma Dragon)

“I was referred to Eric and Submersible by my engineer and co-producer Dan Clark. This was my first solo recording and first experience calling the shots on the final outcome of the project. The first thing I noticed is Eric’s professionalism and personal investment in making sure the music sounds its best. Handing him a straight rock CD, Eric knew just the sound I was looking for, and worked until it had that perfect mix of punch and power, while keeping the softer songs warm and rich. I admitted I was a rookie at working with a mastering company, and he was always willing to answer a question and let me know what was going on at each stage. The whole process only took a few weeks and when the master CDs arrived at my door I popped them in and was incredibly satisfied with the result. I’m glad I got to experience this stage of the recording process with Eric and would recommend him to anyone looking for a great person to work with to give the music that polished, professional sound. Rock on Submersible!!!”

Gary Banach

“I’ve used Submersible for a vast majority of Caustic’s releases over the years and Eric has always been relentlessly tolerant of my chaotic tunes, enduring stupid requests, stupider questions, and slight hearing damage all in the effort to make my music sound as good (or as good-bad) as possible. I’m lucky to have found him. And he’s great in bed.”

Matt Fanale (Caustic, Klack, Daddybear)

“Damn good job.”

 

Leah-Carla Gordone

“With my latest release, Great Stone Stories, Eric and I have worked more extensively to bring it all the way to life. I was really happy with the mixes that I got from Dan Clark. I thought of them as 3-dimensional. Listening to the mixes I felt like I was in a concert hall, hearing what I wanted to hear. If the mixes were like being at the show, the masters are like being in the band. It’s the same performance, but you feel the music all around you. I feel as if I heard mixes and felt masters. Eric was also very patient with me as I was very picky with the overall flow to my album. It’s a concept album, I warned Eric about my pickiness upfront, and he was completely understanding.”

Thor Bremer (Nine Worlds Ensemble, Bowtime, Fretless Music)

“I couldn’t get this particular track to quite do what I wanted it to do and had basically resigned myself to that fact that the album would just have one crappy, throwaway track on it, but Eric whipped that dude into shape and it was like ‘damn.’”

Brian Graupner (The Gothsicles)

Pretty sure [Eric] is a g-damned wizard. Listening to early masters of new Little Red Wolf record. SO GOOD. #magic

Emily Mills (Damsel Trash, Little Red Wolf)

“Not only is Eric a diligent engineer,  he is also a engineer who listens to customers’ needs. And that’s what every mastering engineer should do.  Listen..and of course deliver.  He did both!”

Arttu Hinkkanen (Anon248)

“Submersible Studios offered me the finest masters our band could possibly imagine, with every detail attended to, at a low price that defied belief. I recommend Submersible to anyone within the field for its services.”

JSun Lhundub Dorti Bruner (Dharmata 101)
  • Ian Staer - Iterated Processes
  • Daddybear - EBDSM
  • Silver Walks - Lantern
  • Caustic -King of EBM
  • Lockhart - Cyberp[h]unk
  • Klack - Catching Up With Klack
  • Loveless Love - Burn While Listening
  • Klack - 2400bps 8-N-1
  • Sensuous Enemy - Rebirth
  • Various Artists - Ulterior Muses
  • Various Artists - Telekompilation 2
  • STAER - Telemetry
  • Silver Walks - Timebomb
  • D6 Decimators - Surf And Destroy
  • Cryounit - Paradox
  • Noah James Hittner - Willing
  • Silver Walks - Songs Of Love And Hate
  • Damsel Trash - The EPP Tape
  • Nahja Mora - Final Realization of Failure
  • Daddybear - UNF!
  • Klack - Introducing the 1984 Renault LeCar
  • Various - Telekompilation vol. 1
  • STΔER - The Garden Of Forking Pathd
  • Various - Constructed Cold
  • Silver Walks - Tidal
  • Prevert - The Flagrant Narcissist
  • Prevert - Necrotize
  • Digital Geist - Confrontational Remixes
  • Daddybear - Brown Acid
  • Caustic - American Carrion
  • Desert Monolith - Taivaantahystaja
  • Desert Monolith - TÄHTITAIVAS
  • Kolmiotaajuus - Tyhjyyden maa
  • Klack - Do You Klack
  • Cryounit - Neon Haze
  • Fun Never Starts - s/t
  • Nahja Mora - The Trees See More
  • ST∆ER - Syzygy
  • FIRES - Red Goes Grey
  • Caustic - The Coital Staircase
  • Midas Bison - Bleached
  • Silver Walks - Tidal
  • Dharmata 101 - The False Prophet
  • Deconbrio - Hail To The Liar's Throne
  • Null Device - While You Were Otherwise Engaged
  • Various Artists - Respect the Prime
  • Damsel Trash - Wasted $ Broke
  • Nahja Mora - Actualiser
  • The Gothsicles - Squid Remixarus
  • Caustic - Industrial Music
  • Beauty Queen Autopsy - Lotharia
  • Seeming - Worldburners EP
  • Dharmata101 - We Are Rhythm
  • Self Implied Restrictions - The Lostboy Collection
  • Fourlight Firefly - Hidden Cities
  • Null Device - Aphelion
  • Bowtime Quartet - Wintersongs
  • Little Red Wolf - Junk Sparrow
  • Sumanth Swaminathan - Resonant Ragas
  • Ned Keitt-Pride - Screamin' Diva

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