• About Us
    • Polices and Prices
    • Mastering – The Process
    • Request A Quote
    • Submersible Staff
  • Our Services
    • Mastering Services
    • Mixing, Tracking and Production
  • Clients and Testimonials
  • FAQs, Articles and Opinions
    • The Big FAQ
    • Studio Acoustics
    • Case Studies
    • Software, Plugins and Gear

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Submersible Studios
  • About Us
    • Polices and Prices
    • Mastering – The Process
    • Request A Quote
    • Submersible Staff
  • Our Services
    • Mastering Services
    • Mixing, Tracking and Production
  • Clients and Testimonials
  • FAQs, Articles and Opinions
    • The Big FAQ
    • Studio Acoustics
    • Case Studies
    • Software, Plugins and Gear

Mastering Services

Mixing and engineering

Production and Programming

Submersible Studios exists to provide high-quality audio mastering to the indie artist on a tight budget. We treat your mixes well; we won’t just slam it through a limiter until it’s loud and call it done, we’ll handle each track and each album with respect to the source material and to your requirements as a client. Whether that’s subtle balancing for R128/ITU BS.1770 broadcast standards, formatting and proofing for “Mastered For iTunes”, or slammed EDM for the clubz, we’ll do what needs to be done to give you the best possible product for a fair and reasonable price.

We know who you are – a struggling band on a budget with a no-advance indie-label deal that pays out roughly $27 every year. Or maybe you’re a self-releasing artist who’s trying to cut a demo or make a CD to sell at gigs. Whatever the case, you’re likely the kind of musician that doesn’t have thousands of bucks to spend on the mastering stage, and even if you did, you probably couldn’t justify spending that kind of cash on a release that is unlikely to recoup those kinds of losses. We feel your pain, because that’s who we are too, and that’s why we do this.

Want more convincing? Wander over to see some testimonials from our clients, or contact us for a quote and we’ll do a quick test-master of some of your material so you can hear what we can do.

Apple Digital Masters

Submersible Studios is a verified participant in the Apple Digital Masters / Mastered For iTunes program. Please contact us for more information!

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  • Klack - 2400bps 8-N-1
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Latest News

Calibrating

I was in the process of rebuilding my studio desk when it occurred to me that the slight change in height would affect the acoustics of the room. “Well,” I thought. That means remeasuring everything. And an excuse to get a new measurement microphone. I looked about and basically by accident stumbled across Sonarworks. They’re […]

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Me vs. LANDR

(originally published at the Null Device Blog) LANDR, an online automatic mastering service, just announced a major upgrade to their service.  Their claim is that it provides “more focus, color and dynamics” and “rivals professional engineers.” That’s a bold claim.  A claim that cannot go unchallenged. Brian Hazard of Resonance Mastering already did a pretty […]

Read more

Referral Discounts

Because of the end of the “Mixed By Dan” discount (due to the end of mixes by Dan), we’ve decided to try something new. Are you a Submersible client? Did you like our work? Refer a friend to us and they’ll get 10% off of their job…and so will you, the next time you work […]

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Testimonials

  • “Submersible Studios offered me the finest masters our band could possibly imagine, with every detail attended to, at a low price that defied belief. I recommend Submersible to anyone within the field for its services.”

    JSun Lhundub Dorti Bruner (Dharmata 101)
  • “Not only is Eric a diligent engineer,  he is also a engineer who listens to customers’ needs. And that’s what every mastering engineer should do.  Listen..and of course deliver.  He did both!”

    Arttu Hinkkanen (Anon248)
  • Pretty sure [Eric] is a g-damned wizard. Listening to early masters of new Little Red Wolf record. SO GOOD. #magic

    Emily Mills (Damsel Trash, Little Red Wolf)
  • “I couldn’t get this particular track to quite do what I wanted it to do and had basically resigned myself to that fact that the album would just have one crappy, throwaway track on it, but Eric whipped that dude into shape and it was like ‘damn.’”

    Brian Graupner (The Gothsicles)
  • “With my latest release, Great Stone Stories, Eric and I have worked more extensively to bring it all the way to life. I was really happy with the mixes that I got from Dan Clark. I thought of them as 3-dimensional. Listening to the mixes I felt like I was in a concert hall, hearing what I wanted to hear. If the mixes were like being at the show, the masters are like being in the band. It’s the same performance, but you feel the music all around you. I feel as if I heard mixes and felt masters. Eric was also very patient with me as I was very picky with the overall flow to my album. It’s a concept album, I warned Eric about my pickiness upfront, and he was completely understanding.”

    Thor Bremer (Nine Worlds Ensemble, Bowtime, Fretless Music)
  • “Damn good job.”

     

    Leah-Carla Gordone
  • “I’ve used Submersible for a vast majority of Caustic’s releases over the years and Eric has always been relentlessly tolerant of my chaotic tunes, enduring stupid requests, stupider questions, and slight hearing damage all in the effort to make my music sound as good (or as good-bad) as possible. I’m lucky to have found him. And he’s great in bed.”

    Matt Fanale (Caustic, Klack, Daddybear)
  • “I was referred to Eric and Submersible by my engineer and co-producer Dan Clark. This was my first solo recording and first experience calling the shots on the final outcome of the project. The first thing I noticed is Eric’s professionalism and personal investment in making sure the music sounds its best. Handing him a straight rock CD, Eric knew just the sound I was looking for, and worked until it had that perfect mix of punch and power, while keeping the softer songs warm and rich. I admitted I was a rookie at working with a mastering company, and he was always willing to answer a question and let me know what was going on at each stage. The whole process only took a few weeks and when the master CDs arrived at my door I popped them in and was incredibly satisfied with the result. I’m glad I got to experience this stage of the recording process with Eric and would recommend him to anyone looking for a great person to work with to give the music that polished, professional sound. Rock on Submersible!!!”

    Gary Banach
  • Submersible Studios is the best. Not only do I use them for all of my mastering needs, I’m also constantly recommending them to people. Whether you need a super-loud dance floor banger or a subtly mastered acoustic rock record with super high fidelity and full dynamic range, Eric has the gear and the know-how to make it happen.”

    Dan Clark (Listless Works Studios, The Dark Clan, Magma Dragon)

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Recent posts

  • Calibrating
  • Me vs. LANDR
  • Referral Discounts
  • Cheap Reverbs
  • Now, on Vinyl!

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